The idea of a post card, one side of which could be used for the address and stamp and the other for a short message, originated 150 years ago with the first plain post cards going on sale in post offices throughout the Austro-Hungarian Empire on 1st October 1869. The picture postcard was a natural development of the plain one and from the 1880s it became common in continental Europe. Holiday cards from the seaside remained popular in the 1920s and 30s and in John Hinde the Irish tourist industry found in the 1960s a man who had a genius for portraying a land where the sky was always blue, the people innocent and the scenery stunning. Today technology, for better or worse, has rendered largely obsolete a form of written communication that was once so dominant.
The hobby of postcard collecting, however, is still alive and people turn now to the cards of yesterday for understanding of a vanished world. Above all, we find in the postcard proof of the vital role played by the Post Office in bringing people together and evidence of our own unchanging need, as human beings, to communicate with each other.
A few cards from the An Post Museum & Archive are currently on display beside the cafe in the Witness History visitor center in Dublin’s GPO, including this one from Patrick Pearse to his brother William. Written in Irish, the address caused some confusion amongst postal staff in 1915, hence the two postmarks.
The idea of sending special cards to mark Ireland’s saint’s day goes back to the nineteenth century and by the early twentieth century there were many commercial firms involved in their production, both in Britain and Ireland and in the United States. Much of the now traditional imagery associated with Ireland and the Irish dates from that time.
Delighted to be co-operating with the wonderful North Mayo Heritage Centre on this exhibition which was opened on Saturday last. A great collection of fascinating artifacts on display, wonderful stories to explore and a lovely café for coffee and a bite to eat!
Until quite recently An Post managed the Irish National Lottery for which it received payment from the Government. The Company was also part owner. Its extensive network of post offices allowed it to sell lottery tickets economically and conveniently throughout the country. The Lottery is now run by another business.
Post Office involvement in gambling was somewhat at odds with its traditional role as a prudent home for your money and the advocate of a savings habit to be inculcated from an early age with six penny savings stamps! Lotteries were not new of course when An Post became involved in the mid-1980s as this 1777 ticket, from the Museum & Archive, demonstrates. The object here was the building of the new Royal Exchange, now the City Hall.
The Travelling Post Office or TPO, as it was known within the Post Office, was a vital part of postal infrastructure in Ireland from 1855 until the last ones were taken out of service in 1994. Clerks would sort letters en route so that they would be ready, close to delivery order, by the time the train arrived at its destination. Bags of mail, moreover, would be taken on and offloaded by means of a special net and pole apparatus at points on the journey without the train having to stop. The system was remarkably efficient and the men who worked on the TPOs were experts in their knowledge of the postal system and Irish geography.
Having been in storage for many years, the last of our TPO carriages was moved last weekend to Downpatrick’s railway museum where it will be on loan from the Post Office to form, in due course, part of a display in the Downpatrick & County Down Railway’s exhibition. The ties between the Post Office and the railways in Ireland have been very strong over the last 150 years or so and it is nice to find an appreciative and fitting home for the last of these purpose-built Post Office carriages.
We attended the very well organised Finlandia stamp exhibition in Tampere earlier in the year which focused particularly on the centenary of Finnish independence. Sinn Fein’s propaganda labels, used here in the years before the 1916 rebellion, probably drew inspiration from a similar scheme drawn up by the Finns to highlight the desire for independence from Russia.
The Celtic Cross motif used here later, of course, became better known as part of Ireland’s first definitive issue.
Great event at Trinity College last night to launch a beautiful silver coin for this Irish engineering genius and inventor of the turbine. He was recognized many years ago on an Irish stamp series for science and technology.
A great new exhibition, A Message in Time, has just opened in Tipperay County Museum in Clonmel and there’s a chance to see there several items on loan from the An Post Museum & Archive. The exhibition takes as its starting point Tipperary County Museum’s rich post card collection and uses that to draw out local stories through multi-media, textile and traditional displays.
The exhibition opened earlier this week and a special post card, which uses a 1983 Robert Ballagh stamp design, can be posted in an old letter box on display.